【 Thank you for choosing the Golden Peacock, 5-star resort and casino. You are currently registered as a WILDCARD in our system.
We are pleased to announce that several films have begun production in the resort! All guests are encouraged to participate as actors and crew during this time. Two highly anticipated blockbusters are part of the filming block and will have an opening night premiere at the newly renovated Hatchbox Theater.
We would also like to extend a gentle warning to all actors. New tabloids and journalists have snuck into the Peacock alongside production, so please be cautious of aggressive reporters. We would hate to see our beloved guests embroiled in public scandal.
Please look forward to your debut on the silver screen and all of the new artistic content soon available for your viewing pleasure! 】
HONEYWAGONS
A STAR'S WELCOME
ACTOR RESUME
WELLA WARBLER
Height: 4 inches Weight: 5 oz Age: 3 years (24 in bird years!) Eye color: black Hair color: yellow
TYPECAST & SUITABLE ROLES
• animal sidekick • emotional guide • damsel in distress
KINKS & FETISHES
• berry licking • mating dances • hardcore bdsm
SPECIAL SKILLS
• singing • flying fast • speed sudoku
COSTUME DEPARTMENT
GET INTO CHARACTER
GRAB A GIG
FIND YOUR BIG BREAK
LORD OF THE WINGS
AN EPIC (AND SEXY) JOURNEY
【 Once upon a time, in a magical land far, far away...
The Lord of the Wings, a massive dragon with no equal, demanded a bride tribute from all of the kingdoms across the continent. Every month each province was required to send their most beautiful men and women to become the dragon's next bride(s). Ever greedy, the dragon was not satisfied with having one bride. Not with twelve brides, nor two hundred brides. The dragon always demanded more. The number of hot people around to bang dwindled. Things were looking grim.
Soon, a group of brave warriors gathered to travel the lands and slay this dragon. They enjoyed adventures of fucking their way through sirens, fucking their way though the faeries, and fucking their way through the mage school and beastmen tribes. They reached the dragon's crystal lair where the dragon, who took beautiful humanoid form, approached them.
The dragon promised that if any warrior could satisfy them sexually, they would return all of the brides to their homes. Each warrior took a turn trying to satisfy the dragon — but only with their efforts combined in one massive orgy was the dragon finally satisfied.
All of the brides were released and the warriors moved into the crystal lair to live a loving polyamorous relationship with the dragon. All was well. The end. 】
STAR WARBLERS
A THRILLING (AND SEXY) SPACE OPERA
【 Once upon a time, in a galaxy, far away...
The Palm Warblers and the Pine Warblers, two different legions of the massive Warbler fleet, began to battle. Whenever their ships would meet in space they would fight with the winner taking prisoners of war. After one such battle, a captured Captain of the Palm Warbler legion held in prison met a Lieutenant of the Pine Warbler tribe. After some rivalry, the two fell deeply in love.
They had a ton of kinky prison sex. However, the two were not satisfied with fucking between prison bars. They wanted to properly marry. But how could they with their two legions at war?
They each gathered friends and more sex was had between all. More matches between the Palms and the Pines happened, leading to even more kinky space sex. Bolstered by friendship and newfound fetishes, they gripped their laser guns and seized the science lab where some important keystone gemstone was being examined and researched by space scientists. This stone was very important for the future breeding of the Warbler race.
By holding the lab hostage, the ship's Commander put down their weapons and handed over the keys. The Palm Captain and the Pine Lieutenant held hands as they steered the ship off to find a new planet where they could live in peace together. The war between the two tribes ended because of good sex. All was well. The end. 】
SHORT FILMS
THE GOLDEN PEACOCK SUPPORTS THE ARTS
【 Ladies and Gentlemen!
Peacock Productions is pleased to announce the following short erotic films. Actors interested in participating in filming are welcome to arrive on set to shoot at any time. Various accommodations are available depending upon actor comfort.
FILMS • ALIENS PROBED ME!
• ARRANGED MARRIAGE WEDDING NIGHT
• BIG TIDDY NUN NEEDS PUNISHING
• BIRD IN THE BUSH
• EXORCIST KIDNAPPED BY DEMON LOVER
• FELINE ATTRACTION
• GUARD TOPS MASTER IN BED
• HORNY NERD CREAMPIE
• HOT FOR TEACHER
• INCUBUS SEDUCES SLUTTY PRIEST
FILMS • JEALOUS SPOUSE DISCIPLINES LOVER
• LONELY TENTACLES WANT LOVE
• MAGES GONE WILD
• PIZZA DELIVERY BOY IS HOT
• PLANTS HUNGER FOR SEX
• SAMURAI PLEDGES AND SERVES
• THEY WERE BOTH BOTTOMS
• TOP ON TOP ACTION
• VAMPIRE’S AROUSING BITE
• VIRGIN’S FIRST TIME
• WHOLESOME COUPLE MAKING LOVE
• WOLFMAN TAKES A MATE
… and many, many, many more! We look forward to working with you. 】
▶ BLANKET CW: cameras; compulsion; costumes; dubcon; nudes; pornography; roleplaying; recording; sex tropes; stalking; video
▶ All characters on the TDM are WILDCARDS, which means they have not yet been assigned a card value. Suits will not manifest until characters are accepted into the game.
▶ All TDMs are game canon. This TDM acts as the game's May event. Since April's event was a bit serious, we're leaning in the opposite direction and going full camp for this meme.
▶ Current characters may top level on the TDM. Any current characters posting to the TDM should note they are current in their subject header.
▶ The top level directory is for new characters only. We want to make sure new characters are prioritized and receive attention!
▶ If you aren't satisfied with these prompts, please feel free to check out our LOCATIONS to explore more of the resort!
▶ Smut threads that take place on this TDM can be used for rewards. If both parties in the smut thread join the game, you may retroactively apply the character's initial card values to your 52 bank. If one character does not join the game the thread will not be applicable toward rewards (as that character would not have a card value). The character that does join would still receive a small payout for the encounter. Hopefully it was a fun thread regardless!
▶ We ask you to kindly add content warnings to your threads as appropriate.
▶ If you do not currently have permissions and kinks listed in your character’s journal we suggest leaving a note in your top level of any limits or boundaries for other players to reference.
[ Red, for her part, is a little relieved that Cellinia remembers her. She's relieved to see she's safe, if still subject to the absolute nonsense this place likes to throw at them. She's one of the people she'll miss if she gets out of here, she's sure. But she also doesn't know what the gap in her own memory means for her - for going home, for what happens to her, to what all of this means. She tries not to think too hard about it, though. Not right now. It's a problem for the future.
Instead she tries to chase. She wants to make it look at least a little convincing and she's fortunate that apparently Cellinia seems to want to do the same. Although the script, such as it is, is apparently going by the board. The wolf is supposed to run. Instead she turns back and Red slips and staggers and then finds herself on the ground. She reaches up to grapple with Cellinia, finding her close, atop her. Skin against skin, breathing heavy.
Her hands grasp at her - a shoulder, her waist - and she has to take a quick breath and she tries to avoid thinking too hard about what's meant to come after this. To focus on the words. ]
Good enough to have you by my side?
[ The words slide out. She's not quite sure of the mood in her tone, but she puts on a smile. Something confident. Play the heroine. ]
You're impressive enough for me to want you there.
(they're fine. this is fine. it has to be while they're going through a different kind of nonsense than the usual of the resort. cellinia remembers, but it does little to change the way that they're all still being used. right now isn't an exception, she's got her eyes on red and slowly steadying her breathing. did it matter she changed the script? honestly, it mattered little to them. the producers, the director, they seemed to enjoy it. that she had a change of plans for this scene. but it wouldn't have made much difference, knowing this is supposed to be a longer film.
not like she cares, anything else can be worried about given time and energy. they have enough to deal with from this stupid obligation. cellinia? she doesn't move away, not from straddling the other woman and not from her hands on her shoulder, her waist under this leather leotard she's stuck wearing for part of an outfit. how would she answer that? how should she? from the part she's meant to play, she's meant to be difficult to catch.
difficult to turn into being the heroine's own woman, for a moment, she wants to answer that a little more honestly. she shouldn't, though she ignores the pressing urge to do it anyway while after a moment longer:)
....good enough, hero, good enough for now.
(does that work? they haven't said "cut" just yet, so it must have worked from the fact that she isn't getting chewed out. not yet, anyway. they already seemed more happy that cellinia is no longer talking flatly and seeming disinterested in continuing the role.
[ There's something here, underneath the "acting" and the script. Red resents it, being controlled like this - but also she knows that they're still managing to find ways to say the things they want to to one another. Maybe it would have been easier to just wait until they were finished, but this is a small little act of defiance that means they can find their way around the barriers this place puts in front of them. So Red settles, staring up at Cellinia, her eyes dancing with a bit of unrestrained affection. Even if she's meant to be playing a part, she's never been an actress. Parts of her shine through. ]
Guess I'll need to stay on my toes - and make sure you stay on yours - to keep you, huh?
[ There's a laugh - half genuine. ]
Not like I do it for just anyone, either. I want to make sure I've got the best by my side. You're one of them.
[ There's a moment of hesitation and her hand skims up her side, exploring with a bit of a gentle touch. She doesn't want to perform, even if they'll have to. But if it's with anyone... well, a part of her is glad it's Cellinia. She leans up, face flushing as she brings their faces closer. ]
(resentment, she can understand that. they'd likely call for a break, to set up for the next scene when they felt ready. it wasn't necessary to do things their way, or so she felt whenever it came to how the resort works. they're already in a precarious spot with the cameras on them. waiting, watching, and too willing to capture what they believe would be fantastic moments. things to broadcast for the guests and those unfortunate to be shuffled in to see. the thought is irritating, but there's little that can be done. so maybe, seeing that way her eyes shine with affection doesn't help cellinia. not from how she almost feels like she hasn't been the same since last month, despite the way that she tries to ignore it.
but it's better to be more natural than play along in this scenario they're in, that felt better than being forced. that's what she believes while cellinia has her eyes on the other woman. she'll give her that much, that she can pull it off with the look they forced on her.)
Nothing personal, it's just how I am.
(but enough about that, about the characters in this film forced upon them. what she does is, cellinia notices the hesitation. it's brief, but there. the leotard is on the thin side so she can feel it, the gentle skim of red's hand along her side. that familiar heat from touch and being touched while straddling the other woman from their current position.
a reward. maybe not performing so soon, who knows, they might take what they're both leaning towards. she doesn't know. not while cellinia after a brief pause does know what red means from how close their faces are. one flushed, the other hiding it somewhat better than expected. but she's always been like this, hiding things that is, whenever the wolf decides to relent to the change of script they're doing further.)
I can do that, since you kept up with me.
(and then, a kiss. on camera. as annoying as the idea that they're having to do this on camera is, she's taking it much better with red. there was this for them. if she had to kiss a random stranger that she hardly knew? cellinia almost surely would not be as into it.)
[ That's the trick with this place. Or maybe just the way it is. They have to find little ways of pushing back. They have to find the cracks, the places where they can take space for them. Even now. Maybe especially now. There's a pause as she watches Cellinia and she hopes (wills) that she'll understand, that maybe they can find something in this dumb, horrid place and this dumb performance for just the two of them, no matter who ends up seeing this. She doesn't know what to call this emotion. Affection, certainly. Beyond that - who knows?
She leans in, up and she kisses Cellinia. It's slow and easy and perhaps lacks some of the fire they really want, but it's not for them. It's not for the character. It's for her and the woman settled into her lap. A bid to keep them both sane, a bid to express just what she thinks of her in the here and now. It lingers and then deepens a little, bit by bit.
If they want to yell cut, if they want to move them to another scene, they can do that. But Red is snatching this moment and holding on to it for as long as she can. Her grip tightens, her arms wind around Cellinia and she cradles her close.
The rest of the world isn't there for a few heartbeats. But she's going to have to come back to reality eventually. ]
(she's understood, she thinks she does. cellinia hates it as much as the others does. who would want to stay in a precarious situation where they'd disappear at any time. turned to stone, left as statues to be found in any number of locations. it isn't easy to tell, to know where they might find themselves one day before they're gone. somewhere far away, until that day they'd return to this miserable excuse of a hell meant to use them for its own means. but that's fine, they have the little things they can take hold of. the emotions, the feelings, separating what confuses them for something that felt more comfortable.
or came close to it, like now. mid-kiss, reminding themselves that they ought to keep playing their characters. unfortunately, that's not happening in the lingering kiss and how it deepens slowly. the director is heard saying something "cut", but she hardly pays it any attention for the moment. let her have this, let them have this even if she feels that compulsion to keep going in how her suit mark burns from different whims than usual.
she relaxes, straddling the other woman who holds her tightly against her body. the heat of it firm, reminding cellinia that this is very real. that they're not in some dream, despite that wish for it to be under better circumstances for them to have met again. a kiss is a kiss, but so is anything else it might bring. they did seem keen on a break.
even if it takes her a minute to part from the kiss, a reminder to herself that she didn't want them to watch the two of them. though it was reluctant on her part, she must have struggled with that more than cellinia would like to admit.)
[ Emotions are tricky things. She knows that from experience; from the people she knows back home, from the people she's met here. It's complicated. A tangle that she can't quite undo. But she savors it all the same. There's still something good here. There's something worth preserving, worth holding onto. She kisses Cellinia; she allows it to linger, even through that call of cut. A little act of defiance, perhaps, or maybe just too lost in something she genuinely enjoys.
She breathes out and then finally, finally breaks away, cradling her close for a few moments longer as the scene starts to break apart. As there's things they need to do, elements to change. More filming to get to. It's irritating and she'd like to tell them to fuck off, but...
Well.
She can't, can she? Red closes her eyes and gently bumps her forehead into Cellinia's. ]
Guess we better get a move on.
[ Although she imagines the next scene is likely to be much more of a "performance" than this one. ]
no subject
Instead she tries to chase. She wants to make it look at least a little convincing and she's fortunate that apparently Cellinia seems to want to do the same. Although the script, such as it is, is apparently going by the board. The wolf is supposed to run. Instead she turns back and Red slips and staggers and then finds herself on the ground. She reaches up to grapple with Cellinia, finding her close, atop her. Skin against skin, breathing heavy.
Her hands grasp at her - a shoulder, her waist - and she has to take a quick breath and she tries to avoid thinking too hard about what's meant to come after this. To focus on the words. ]
Good enough to have you by my side?
[ The words slide out. She's not quite sure of the mood in her tone, but she puts on a smile. Something confident. Play the heroine. ]
You're impressive enough for me to want you there.
no subject
not like she cares, anything else can be worried about given time and energy. they have enough to deal with from this stupid obligation. cellinia? she doesn't move away, not from straddling the other woman and not from her hands on her shoulder, her waist under this leather leotard she's stuck wearing for part of an outfit. how would she answer that? how should she? from the part she's meant to play, she's meant to be difficult to catch.
difficult to turn into being the heroine's own woman, for a moment, she wants to answer that a little more honestly. she shouldn't, though she ignores the pressing urge to do it anyway while after a moment longer:)
....good enough, hero, good enough for now.
(does that work? they haven't said "cut" just yet, so it must have worked from the fact that she isn't getting chewed out. not yet, anyway. they already seemed more happy that cellinia is no longer talking flatly and seeming disinterested in continuing the role.
probably better that way, who knows.)
I don't do this for just anyone, after all.
no subject
Guess I'll need to stay on my toes - and make sure you stay on yours - to keep you, huh?
[ There's a laugh - half genuine. ]
Not like I do it for just anyone, either. I want to make sure I've got the best by my side. You're one of them.
[ There's a moment of hesitation and her hand skims up her side, exploring with a bit of a gentle touch. She doesn't want to perform, even if they'll have to. But if it's with anyone... well, a part of her is glad it's Cellinia. She leans up, face flushing as she brings their faces closer. ]
How about - ah - how about a reward?
no subject
but it's better to be more natural than play along in this scenario they're in, that felt better than being forced. that's what she believes while cellinia has her eyes on the other woman. she'll give her that much, that she can pull it off with the look they forced on her.)
Nothing personal, it's just how I am.
(but enough about that, about the characters in this film forced upon them. what she does is, cellinia notices the hesitation. it's brief, but there. the leotard is on the thin side so she can feel it, the gentle skim of red's hand along her side. that familiar heat from touch and being touched while straddling the other woman from their current position.
a reward. maybe not performing so soon, who knows, they might take what they're both leaning towards. she doesn't know. not while cellinia after a brief pause does know what red means from how close their faces are. one flushed, the other hiding it somewhat better than expected. but she's always been like this, hiding things that is, whenever the wolf decides to relent to the change of script they're doing further.)
I can do that, since you kept up with me.
(and then, a kiss. on camera. as annoying as the idea that they're having to do this on camera is, she's taking it much better with red. there was this for them. if she had to kiss a random stranger that she hardly knew? cellinia almost surely would not be as into it.)
no subject
She leans in, up and she kisses Cellinia. It's slow and easy and perhaps lacks some of the fire they really want, but it's not for them. It's not for the character. It's for her and the woman settled into her lap. A bid to keep them both sane, a bid to express just what she thinks of her in the here and now. It lingers and then deepens a little, bit by bit.
If they want to yell cut, if they want to move them to another scene, they can do that. But Red is snatching this moment and holding on to it for as long as she can. Her grip tightens, her arms wind around Cellinia and she cradles her close.
The rest of the world isn't there for a few heartbeats. But she's going to have to come back to reality eventually. ]
no subject
or came close to it, like now. mid-kiss, reminding themselves that they ought to keep playing their characters. unfortunately, that's not happening in the lingering kiss and how it deepens slowly. the director is heard saying something "cut", but she hardly pays it any attention for the moment. let her have this, let them have this even if she feels that compulsion to keep going in how her suit mark burns from different whims than usual.
she relaxes, straddling the other woman who holds her tightly against her body. the heat of it firm, reminding cellinia that this is very real. that they're not in some dream, despite that wish for it to be under better circumstances for them to have met again. a kiss is a kiss, but so is anything else it might bring. they did seem keen on a break.
even if it takes her a minute to part from the kiss, a reminder to herself that she didn't want them to watch the two of them. though it was reluctant on her part, she must have struggled with that more than cellinia would like to admit.)
no subject
She breathes out and then finally, finally breaks away, cradling her close for a few moments longer as the scene starts to break apart. As there's things they need to do, elements to change. More filming to get to. It's irritating and she'd like to tell them to fuck off, but...
Well.
She can't, can she? Red closes her eyes and gently bumps her forehead into Cellinia's. ]
Guess we better get a move on.
[ Although she imagines the next scene is likely to be much more of a "performance" than this one. ]
Good to see you again, though.