[ even in a village as poor as sein's, the people still found ways to indulge in the arts. there would be the occasional small production, often set up by the older children with far too much energy and time on their hands. sein himself had never truly participated but there had been a time or two an additional tree was needed in the background, so between the two currently made to act right now, it's both laughable and kind of sad that he is the one with the most chops.
it's because of this that sein feels more sympathetic than exasperated that he will clearly have to be the one to carry the scene here — but it's not like he has much leg to stand on, spacing out like he had from the get-go.
in contrast to broca's stiff monotone, sein's voice will soften and warm. welcoming, even. ]
That's alright.
[ he has his own lines he could be following, but somehow knowing the other person on the other side of the confessional is actively reading from his script makes sein want to just neglect his entirely. ]
no subject
it's because of this that sein feels more sympathetic than exasperated that he will clearly have to be the one to carry the scene here — but it's not like he has much leg to stand on, spacing out like he had from the get-go.
in contrast to broca's stiff monotone, sein's voice will soften and warm. welcoming, even. ]
That's alright.
[ he has his own lines he could be following, but somehow knowing the other person on the other side of the confessional is actively reading from his script makes sein want to just neglect his entirely. ]
Why don't you start from the beginning?