[ mondstadt and fontaine. two words that aventurine is unfamiliar with, which is unusual in its novelty given that aventurine is aware of the names of each world the ipc has significant assets in. ratio's theory on multiple universes, then, is becoming more and more salient. aventurine takes a moment to cast a thoughtful glance at the painting observing them. she is a prim young lady with a scandalous mouth, hands clasped before her like knives poised to cut.
she wants a show. most people do. aventurine likes being a show. navia leans in to kiss him. his lips meet hers in a slow, indulgent curve. ]
Then, [ aventurine says, each word slow and honey-dripped against the warmth of navia's lips, ] when in bliss, shall we indulge?
[ in truncated heartbeat, aventurine is coaxing navia into an open-mouthed kiss, slow and filthy, even as he moves to cage her with his arms against the mirrored sheen of the elevator walls. ]
no subject
she wants a show. most people do. aventurine likes being a show. navia leans in to kiss him. his lips meet hers in a slow, indulgent curve. ]
Then, [ aventurine says, each word slow and honey-dripped against the warmth of navia's lips, ] when in bliss, shall we indulge?
[ in truncated heartbeat, aventurine is coaxing navia into an open-mouthed kiss, slow and filthy, even as he moves to cage her with his arms against the mirrored sheen of the elevator walls. ]